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The Panasonic Lumix DMC-FZ150 is a new super-zoom camera featuring a wide-angle 24x zoom lens, 12.1 megapixel high-speed MOS image sensor, and 12fps continuous shooting without autofocus and 5.5fps with autofocus. Successor to the FZ100 model, the bridge-style Panasonic FZ150 compact also offers a 3-inch, 460K-pixel rotating LCD screen, full HD 1080p movie recording in AVCHD format at 25/30fps, Intelligent Resolution technology, Light Speed auto-focus, Nano Surface Coating lens coating, a range of creative effects, a port for an optional stereo microphone, and an accessory shoe for an external flash. The FZ150 also offers Power O.I.S anti-shake system, iA (intelligent auto) mode, manual shooting modes, 3D still images, RAW format support and an ISO range of 100-3200. The Panasonic Lumix DMC-FZ150 is available in black and retails for £449.99 / $499.95.

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Amazing landscape photographs by Thomas Leong, talented male photographer from Singapore.

Beautiful portraits by SJ Walton, talented female photographer from Bath, England, United Kingdom.

Beautiful portaits by Benoit Paille, talented people photographer based in Montreal, Quebec, Canada.

Washington DC based, self-taught photographer Jonathan Rosser has not attended any photography courses, but studied on Flickr other inspiring artists.

Actor Jamie Harris (currently in Rise of the Planet of the Apes) joins models Saskia De Brauw and Marique Schimmel in a Gucci special in the latest issue of Interview, photographed by Mert Alas and Marcus Piggott and styled by Karl Templer

Freja Beha Erichsen & Arizona Muse by Mario Testino in 'Master Class' for British Vogue September 2011

Andy Glass is a world-class professional photographer, based in UK. His artworks are radically different to each other and brilliantly done. Andy captures photographs that on their own are gorgeous, and then he layers them into his other worldly photo composites.

Steven Klein photographed the Dolce&Gabbana Fall/Winter 2011-12 ad campaign with models Isabeli Fontana, Maryna Linchuk, Constance Jablonski, Liu Wen, Jac Jagaciak and Kate King

Freida Pinto by Mert Alas & Marcus Piggott for Interview August 2011, styled by Karl Templer with art direction by Fabien Baron

Aymeline Valade by Tom Munro in 'Attache-moi' for Numéro no. 125, August 2011, styled by Charles Varenne

Lenard Smith is spending his time at Light Work to both create new work and catch up with some existing projects. Since day one of his residency, Smith has been shooting with the 4 x 5 camera to create a whole new series based on his impressions of and experiences here in Syracuse, a body of images that he calls the AIR Work. These images are half found, half constructed moments in space and time that exalt the scratches of individuality found within institutional architecture. In this way, the images resemble Smiths’ Park Nursing Home series that examines how residents transform the cold comfort of the nursing home into a real hearth be adding personal touches, especially artifacts from their past lives, to their rooms. Besides editing, scanning, and making large-format prints of AIR Work, Smith has been casting a host of models to appear in a series of images based on schematic drawings he came across in several books from the 1950’s. These images, which each involve anywhere from 3 to 9 models, aim to create a surreal atmosphere somewhere between sexuality and healing. Finally, Smith has been reexamining images of African Americans, intended to be recontextualized by way of appropriation, a series which he thought was completed years ago but which has recently started calling to him again.

Henri Cartier-Bresson was a French photographer considered to be the father of modern photojournalism. He was an early adopter of 35 mm format, and the master of candid photography. He helped develop the "street photography" or "real life reportage" style that has influenced generations of photographers who followed.

After attending Pomona College, Andrew Bush received his MFA from Yale University. He has lived in Los Angeles for over twenty years, and he has exhibited here since 1984. Bush has worked in a variety of formats, subjects, and mediums for more than twenty-five years, concentrating on the theme of identity as defined by possessions. He completed his first project entitled Bonnettstown Hall in 1984, a record of an 18th century Irish Georgian country manor occupied by the same Protestant family for many generations. These large format color pictures in which he utilizes only natural light began as his master's thesis project at Yale. When published in 1989 as a monograph by Abrams, these images, magical in their stillness, details and light, became an inspiration to a whole generation of documentary photographers.



Bush's move to Los Angeles in 1985 initiated a dramatic transformation. He began a project called Vector Portraits using still images and video. Mounting the equipment on the passenger side of his car, he photographed drivers on the L.A. freeways, their portraits framed by the car window and the surrounding landscape. These drivers, either lost in reverie or interacting with the other passengers, form a series of great American portraits. Although not formally apparent, these vector portraits led to Bush's next series-- Envelopes. Produced since the early 1990s, the works in this project are one to one scale images of all kinds of envelopes; new, old, and in all shapes and sizes, which are placed in antique photographic printing frames. Bush continued to capture close-up views of inanimate objects in his series Snorter (1993-1998), in which he photographed crinkled, weathered currencies from all over the world.

In his next project, the Prop Portraits series, shown in 2000, he shot with his usual large format camera in the flea markets of Los Angeles. Creating large-scale Epson color prints, he selected his subjects from the market crowd and photographed them as they posed before a semitransparent scrim holding objects that they had selected. Bush temporarily situates his subjects within a private space, making their purchases or props become a trophy of their identity and passage through life. Bush has completed a documentary project on Derrida's library.